Categories
Technique

Multiple stages

Often in live online work there are multiple stages to be taken into consideration:

  1. The stage of the whole piece
  2. The stage of groups of performers
  3. The stage of the individual performer’s frame
  4. The stage of the individual performer’s physical environment

The stage of the whole piece

This is the entirety of what’s seen, the combination of all the performers’ stages and any additional material. This is the level at which videoconference presentation decisions are made, such as using the grid or working with Spotlight mode; and the level at which layout decisions are taken in OBS.

The stage of groups of performers

This is the way in which groups of performers combine onscreen, where patterns may form based on similarities of visible content, colour consistency, scale of performer/distance from the camera, etc.

Example

Jennifer Walshe: zusammen iii (Bastard Assignments Lockdown Jams 2020):

In this piece, Josh – in the top right corner – is differentiated from the other three performers through differing action, sound related to that action (the other performers are all silent), and makeup. The other three form a cluster – a chorus, if you will – based on the similarities of their actions (all switching between face yoga and silent speaking to camera), and contrast from the soloist.

The stage of the individual performer’s frame

What can be seen of the performer and their surroundings in frame, including their position in the frame, scale and level of detail (arising from how far they are from the camera). This is tightly aligned with the performer’s physical environment.

The stage of the individual performer’s physical environment

The significance of this ‘stage’ is in how it is arranged, used, and how it relates to the individual performer’s frame. This stage may feel somewhat intangible because it can be hard to define physically, but it becomes wider the further back from the camera you move, and you can make it feel more concrete by positioning objects just outside the boundaries of the visible area, so you can be aware when you are going ‘offstage’.